Moral Fibre: Engaged Works in Textile Media
Ingrid Jenkner & Meghan Bissonnette

A review of work by five women artists driven by a concern with the ravages of disease, particularly breast cancer, as well as those of war. An essay is accompanied by brief statements on the artists, notably Nancy Edell, Barbara Todd and Colette Whiten.

Art Gallery Mount St. Vincent (2005) 40 pp col. ill. 6.5 x 4.5 in 1-894518-27-6 $8.00 Can./U.S. (6 euros)

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Colette Whitten and Paul Kipps: Over Taking Over
Terence Heath & Jessica Wyman

Whitten and Kipps are among Canada's most respected sculptors. The fact that they are also married would normally not be discussed even in a jount exhibition, except that here, in spite of the dramatically different nature of their works, there is a profound connection that moves the viewer. Focusing on that connection, the essayists discuss the works as meditations on the passage of time: the generation of their parents, now passing, and of their children, now arriving.

Southern Alberta Art Gallery (2002) 56 pp 24 ill. 7x5 in softcover 1894699130 $12.00 (Can./U.S.)

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Colette Whitten: Seducing the Receiver
Marnie Fleming and Francine Périnet

A body of recent beaded works by Colette Whiten that reproduce images and text from the news media in a way that prompts viewers to consider the nature of these media and the limits of their conventionalized rendering of events.

Oakville Galleries (1996) 24 pages, ill. 0921027591 $15.00

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