Catherine Heard
Catherine Heard: Theatrum Mundi
Kerri Cronin & Rebecca Ward
Known for her sculptural work depicting things both monstrous and wondrous, Catherine Heard's installation transforms the rear bay window wells of the gallery’s historic mansion into a cabinet of curiosities. Heard displays her personal collection of artworks, objects, and oddities, adding to and rearranging her collection throughout the exhibition. Drawing on the aesthetic of Heard's installation, the publication includes an artist's multiple and two essays.
Rodman Hall Art Centre (10/2011) 34 pp 20 col. ill. 8 x 5 in flexicover 978-0-9864955-4-0 $26.00 Can. $29.00 U.S. (20 €)
Mask and Metamorphosis
Shirley Madill, Mary Ann Caws & Kati Campbell
The resurgence of Surrealist tendencies in contemporary art is explored in the work of six women artists. Like the Surrealism of the 1930s and 1940s, their work incorporates Gothic motifs, the bizarre and the disquieting and is motivated by an interest in the unconscious. But unlike their historical predecessors, these artists put their own bodies at stake and question conventional interpretations of gender and sexuality. Three essays explore a Surrealism revitalized by feminism. Artists are Therese Bollinger (Toronto), Janieta Eyre (Toronto), Zoe Leonard (New York), Catherine Heard (Toronto), Sheila Butler (Toronto) and Alice Maher (Dublin).
Art Gallery of Hamilton (2004) 48 pp 28 ill (25 col) 12 x 8 in softcover 0-919153-75-5 $16.00 (13 €)
Catherine Heard: Effigies
Corinna Ghaznavi
Cambridge Galleries (2003) 24 pp 12 col. ill. 6.5 x 4.5 in softcover 0-9687260-9-7 $5.00 Can./U.S (4 €)
Skinjobs
Annette Hurtig
Conceived to coincide with a conference of the International Gothic Association, Skinjobs brings together the work of Stephen Andrews, Michelle Gay, Catherine Heard, Teresa Marshall, Regan Morris and Brian Putz. Hurtig stresses that gothic sensibilities have always arisen in conjunction with social upheavals and epidemics. Looking at the works selected, the author proposes that the 'return to the repressed' , so characteristic of gothic expression, has acquired a subversive edge.
Art Gallery Mount Saint Vincent University (1999), 47 p. 7x7 in., 11 col. ill., 1895215927 $15.00
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