Lucie Chan : Something to Carry
Ingrid Jenkner & James R. Shirley

Chan assembles multi-figure ink drawings on bond into composite, booth-like structures suspended from the ceiling. Spatially, her drawing installations evoke the elsewhere of diasporic yearning. Shirley's essay compares Chan's use of drawing with the work of Ed Pien and William Kentridge. With artist's biography and bibliographic references.

Mount Saint Vincent University Art Gallery (2002) 4 pp 4 ill. 10 x 8.5 in. 1894518098 $6.00 (Can./U.S.)

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Black Body: Race, Resistance, Response
Pamela Edmonds & Anthony Joyette

Couched in this little publication, two large and insightful essays talk about the radicalization of the black body. Taking as their point of departure the work of six contemporary black artists from different parts of the country, the authors write about cultural racism, the colonialized body and the black body in Canadian art. With work by Buseje Bailey, Michael Chambers, Lucie Chan, Chrystal Clements, Rebecca Fisk and Gomo George. With artist statements.

Dalhousie Art Gallery (2001) 31 pages 21 ill. (6 col.) 6.5x6.5 in. 0770327362 $5.00 (Can./U.S.)

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