Carl Beam




Carl Beam: The Poetics of Being
Edited by Greg Hill
Contributors: Greg Hill, Gerald McMaster, Virginia Eichhorn, Alan Corbiere, Crystal Migwans and Ann Beam
 
carlbeam.gifspacerThis major retrospective publication confirms Carl Beam (1943 - 2005) as one of Canada's most important artists. Beam broke new ground throughout his career, notably as the first artist of Native Ancestry (Ojibwe), to have his work purchased by the National Gallery of Canada as Contemporary Art. Working in various mediums - photography, oil, acrylic, text on canvas, stone, cement, wood, ceramics and found objects - Beam explored the tensions between Western and Aboriginal relations. Featuring more than 50 of Beam’s most remarkable works from his early career in the 1970s to the end of his production in the early 2000s, this generously illustrated monograph illuminates the artist’s investigations into the metaphysical aspects of Western and Indigenous culture, while powerfully illustrating the wide-ranging physicality of his work. 

National Gallery of Canada (2010) 140 pp 50 col. ill. 11 x 9 in softcover 978-0-88884-876-5 $50.00 Can. $56.95 U.S. (40 euros)










Carl Beam : La poétique d'être
Sous la direction de Greg Hill
Contributions de Greg Hill, Gerald McMaster, Virginia Eichhorn, Alan Corbiere, Crystal Migwans et Ann Beam
 
carlbeam.gifspacerDès les années 1970, Carl Beam (1943 - 2005) s’est imposé comme l’un des chefs de file d’un nouveau discours artistique affirmé qui contestait la tendance de l’époque à marginaliser l’art contemporain autochtone. Cette publication, qui rassemble une bonne cinquantaine des œuvres les plus remarquables de Beam, couvre toute sa carrière depuis les années soixante-dix jusqu’à la fin de sa production au début des années 2000. Elle met en lumière ses recherches sur les aspects métaphysiques des cultures occidentale et autochtone, tout en imposant avec vigueur la présence physique de toutes ses créations – tangible dans ses peintures monumentales, ses constructions et ses céramiques, ainsi que dans ses bandes vidéo.

Musée des beaux-arts du Canada (2010) 140 pp 50 ill. coul. 28 x 23 cm souple 9780-88884-877-2 $50.00 Can. $56.95 U.S. (40 euros)








Carl Beam: The Whale of Our Being
Joan Murray

Carl Beam gained international recognition in two watershed exhibitions, the National Gallery's Land, Spirit, Power and the Canadian Museum of Civilization's Indigena. His practice is based on collage and photographic imagery and is imbued with Native issues of land and repatriation. The Whale of Our Being, a multitude of paintings and prints produced since 1996, makes the whale a metaphor for looking at the world. "Under the umbrella of the whale are commodification and dollars and killing, all things possible. The Whale of Our Being includes whatever has happened to the whale, which in some kind of way happens to everything else."

Robert McLaughlin Gallery (2002) 60 pp 13 col.ill. 8 x 8 in. softcover  0921500645 $10.00 Can./U.S.