Mount Saint Vincent University Art Gallery
ART GALLERY MOUNT SAINT VINCENT UNIVERSITY
Suzanne Swannie: Danish Modern
Ingrid Jenkner, Rachel Gotlieb, Sheila Stevenson and Ron Shuebrook
This retrospective publication documents the weavings and textile installations of Suzanne Swannie. Since the 1970s the Danish-born artist has created functional textiles, tapestries and large architectural installations for private and public environments. Both the woven works and the constructions display the “Danish Modern” principle of repetition of modular units as a means of generating surfaces and structures, with a typical emphasis on rich colour harmonies. Swannie moves adroitly between industry, craft and the art world, gaining from each, apologizing to none. The authors situate Swannie’s work in relation to historical modernism and provide a chronology of the artist’s 40-year career.
Mount Saint Vincent University Art Gallery (October 2008) 64 pp col. ill. softcover 978-1-894518-44-4 $25.00 ($28.00 U.S. / 20 euros)
Chemistry: Attraction and Reaction in the Art of Arthur Handy, Dan O’Neill, George Steeves and Reed Weir
Ingrid Jenkner
Showcasing new acquisitions while exploring affinities between the works, Chemistry includes fine photographic prints by Steeves, hand-pulled lithographs by O’Neill, and ceramic sculpture by Reed Weir and the late Arthur Handy. Each artist’s process involves complex chemical interactions and demands technical knowledge.
Mount Saint Vincent University Art Gallery (09/2008) 41 pp 12 col. ill, 6.5 x 9 in softcover 978-1-894518-43-7 $10.00 ($12.00 U.S. / 8 euros)
Frances Dorsey: Saigon
Leah Garnett, Pat Hickman and Frances Dorsey
Frances Dorsey works in cloth as a way of engaging critically with painting and of bringing global themes within the scope of family life and domestic practices. Much of her work includes photo-derived images of war. Her murals, created from distressed, pieced-together and salvaged cloth, offer a pointed critique of the tradition of history painting in which large paintings on canvas glorify war. Her work is particularly pertinent as she spent much of her childhood in Saigon in the 1950s and, accompanying the main essay, she offers several short personal reminiscences of life in pre-war Viet Nam as seen through the eyes of a child.
Mount Saint Vincent University Art Gallery (11/2007) 48 pp 11 col. ill. 11 x 7.5 in softcover 978-1-894518-41-3 $15.00 Can./U.S. (12 euros)
George Steeves: Photographs
Ingrid Jenkner & Peter Schwenger
For over twenty years the Canadian photographer has been creating staged eroticized performances with himself and his friends as subjects. Positioned at the convergence of disciplines, Steeves's practice is marked by a frank, unidealized nudity within a context of cultural erudition. Presented here for the first time (and nearly never presented at all), the Excavations series has affinities with the work of Robert Mapplethorpe and Pierre Molinier, yet is distinguished by Steeves's meticulous theatricalization. Recovering from the apparantly casual nudity, the viewer will appreciate the minutely orchestrated motifs, settings, poses, gazes and personae drawn from opera, theatre and painting. In her introduction Jenkner states that the exhibition and its publication are intended to "redress the denial of exhibition opportunities in English-Canadian curatorial venues that has censored Steeves's work". Most recently George Steeves has exhibited at Nederlands Foto Instituut and Denmark's Louisiana Museum of Modern Art.
Mount Saint Vincent University Art Gallery (03/2007) 48 pp 25 ill. 11 x 8 in softcover 978-1-894518-37-6 $20.00 Can./U.S. (16 euros)
Glynis Humphrey: Breathing Under Water
Heather Anderson & Nicole Gingras
Humphrey's multi-media installation provides an array of acoustic, tactile and visual stimuli, but contains no verbal components. As in previous works, the artist evokes a sensuous, yet monstrous feminine presence that can be both threatening and immersive. Heather Anderson is assistant curator of contemporary art at the National Gallery of Canada. Nicole Gingras has published numerous publications on visual and sonar perception. Accompanied by an interview with fellow artist Eleanor King. A first monograph an the Welsh-born Canadian artist.
Art Gallery Mount Saint Vincent University (09/2006) 48 pp 10 col. ill. 8 x 6 in softcover 1-894518-32-2 $15.00 Can./U.S.(12 euros)
Michael Fernandes: Room of Fears
Jayne Wark & Peter Dykhuis
'Room of Fears' is one of Fernandes' signature performance installations. Prior to the exhibition the artist invites members of the public to anonymously submit phrases in which they outline their fears. He then transcribes them onto a room-sized black board, thereby creating a physical incarnation akin to automatic writing. The authors explore this and other works by Fernandes in terms of their capacity to transform private experiences into public testimonies.
Art Gallery Mount Saint Vincent University (09/2006) 72 pp 23 ill. 5 x .5 in 1-894518-34-9 $8.00 Can./U.S. (6 euros)
Epistrophe: Wall Paintings by Denyse Thomasos
M. NourbeSe Philip, Franklin Sirmans & Gaëtane Verna
A publication more precious than most as it documents work that no longer exists. Denyse Thomasos's ephemeral wall paintings blur the lines between Western formalism and post-colonial theory. While revealing a mastery of the elements of Abstract Expressionism, Thomasos's work is concerned with global histories and historical narratives, particularly the Black Diaspora. Her use of the marker, the line and the grid are animated by modernist principles but the architectural structures she evokes are in fact huts, cages and other references to slavery. With three essays and an interview, along with numerous colour plates and fold-outs, this publication is the first extensive monograph on the work of Denyse Thomasos.
Mount Saint Vincent University Art Gallery / Foreman Gallery of Bishop's University (08/2006)
90 pp 38 ill (28 col.) 9.5 x 7.5 in softcover ISBN: 0-9736674-6-X $29.95 Can./U.S. (24 euros)
Roots and Shoots: Contemporaray Art in Halifax
Ingrid Jenkner (ed)
This publication outlines tendencies among artists of Halifax, suggesting patterns of artistic affiliation as well as rifts. Individual artists were invited to nominate a work by another artist for presentation. Nominated artists, in turn, selected a work by their nominator. Each contributes a text responding to aesthetic and thematic qualities of the work they selected. The result is a collection of sixteen individual appreciations.
Art Gallery Mount Saint Vincent University (07/2006) 42 pp col. ill. 10 x 8 in softcover 1-894518-33-0 $12.00 Can./U.S. (10 euros)
Moral Fibre: Engaged Works in Textile Media
Ingrid Jenkner & Meghan Bissonnette
A review of work by five women artists driven by a concern with the ravages of disease, particularly breast cancer, as well as those of war. An essay is accompanied by brief statements on the artists, notably Nancy Edell, Barbara Todd and Colette Whiten.
Art Gallery Mount St. Vincent (2005) 40 pp col. ill. 6.5 x 4.5 in 1-894518-27-6 $8.00 Can./U.S. (6 euros)
Brisk Collages & Bricolages: Artistic Audits & Creative Revisions of Mainstream Media in Recent Canadian Shorts
Gerda Johanna Cammaer
This latest in a series of publications on Canadian film and video explores the relationship between mainstream film and experimental film and video. Through a discussion of recent Canadian short films, Cammaer shows that as commercial film and television lift strategies and technologies from experimental films, video and film artists increasingly appropriate mainstream cinema. Found footage, reworked images and resourceful editing have become devices for sparking debate on many issues, notably racial and sexual stereotyping.
Art Gallery Mount St. Vincent (2005) 36 pp ill. 8 x 7 in 1-894518-29-2 $15.00 Can./U.S (12 euros)
Scott Conarroe: Harbour Photographs
Ingrid Jenkner
A brief essay and interview elucidate photographs taken in Halifax where the artist studied.
Art Gallery Mount St. Vincent (2005) 4 pp 10 x 8 in 1-894518-30-6 $5.00 Can./U.S. (3 euros)
Legend Drawings by Leonard Paul
Mora Dianne O'Neill
In keeping with the evolving aboriginal storytelling tradition, Paul's drawing style blends time-honoured stipple technique with graphic mannerisms borrowed from contemporary fantasy genres. O'Neill's essay positions these drawings within the contexts of British book illustration and Nova Scotian Mikmaq storytelling.
Mount Saint Vincent University Art Gallery (2005) 4 pp 4 ill. 11.5 x 7 in 1-894518-26-8 $6.00 Can./U.S. (5 euros)
Lecture Notes
Jody Berland
Since so many artists teach in post-secondary institutions it follows that their art engages with teaching and learning as performance. The art here restages the lecture as a content-free spectacle, a celebrity forum and an occasion for daydreaming. With works by Michael Fernandes, Suzy Lake, John Marriott and Joseph Beuys.
Mount Saint Vincent University Art Gallery (2005) 30 pp ill. 8 x 6 in spiral bound 1-894518-24-1 $12.00 Can./U.S. (10 euros)
Free Sample
Kelly Mark et al
Kelly Mark is founder of Samplesize.ca, an on-line art gallery, weblog, laboratory, and playground for artists, writers and curators. Here 16 contributors move off the web with a show of sculptural objects, new media art, written words and works on paper. In Free Sample, parts are borrowed, traded, sampled and replicated using digital media as well as techniques typical of obsessive hobbycraft. Artists include Dave Dyment, Micah Lexier and Jan Peacock.
Mount Saint Vincent University Art Gallery (2005) 65 pp 23 col. ill softcover 189451825x $10.00 Can./U.S. (8 euros)
Racing the Cultural Interface: African Diasporic Identities in the Digital Age
Sheila Petty
This publication documents an exhibition focused on some of the most thought-provoking tendencies in recent media art: the practices of black artists who consciously imbue screen space with their diasporic sense of "elsewhere". The critical effects produced by these works are relevant to the cultural politics of many regions of the world. With video and new media works by Canadian, British and American artists including Wayne Dunkley, Roshini Kempadoo, Camille Turner and Philip Mallory Jones.
Mount Saint Vincent University Art Gallery (2004) 36 pp, 13 ill. 8 x 7 in 1-894518-21-7$12.00 Can./U.S. (10 euros)
Shifting Ground: Woven Works by Suzanne Swannie
Sandra Alfoldy
For several years the Halifax-based textile artist has been weaving functional floor coverings for private and public environments. Shifting Ground documents two brilliantly coloured new carpets plus paper and fibre preparatory studies. Concerning her process, Swannie comments that. Sandra Alfoldy teaches at the Nova Scotia Institute of Art & Design.
Mount Saint Vincent University Art Gallery (2004) 16 pages, 6 ill., 6.5 x 9 in 1-894518-22-5 $7.00 Can./U.S. (6 euros)
Reunion: Drawings by Elizabeth MacKenzie
Kathy Mac
Reunion is an ongoing series of graphite portraits on translucent vellum now numbering more than one thousand, derived from a single photograph of the artist's late mother. The openness of the project to various disciplinary perspectives gave rise to the concept of this publication, in which original poems by Kathy Mac interact with reproductions of the drawings as parallel constructions. Kathy Mac was short-listed in 2002 for a Governor General's Award in Poetry.
Mount Saint Vincent University Art Gallery (2004) 24 pp, 8 ill., 9 x 6 in 1-894518-20-9 $7.00 Can./U.S. (6 euros)
Beyond Words
Ingrid Jenkner & Gaetane Verna
The art in Beyond Words encourages viewers to think of language as something more than a transparent medium of communication. Each piece incorporates text in ways that defeat a simple reading. Letraset collage, pulled threads, sandblasted glass and recorded sound are some of the media represented. Some of the works voice languages other than English, such as Cree, Hebrew and French. Artists include Rober Racine, Kelly Mark and Nadia Myre. Co-published with the Art Gallery of Bishop's University
Mount Saint Vincent University Art Gallery/Bishop's University Art Gallery (2004) 48 pp 18 col. ill. 1-894518-18-7 $17.00 (14 euros)
Work Work Work
Ingrid JenknerThese works of art from the Collection invite comparison with hobbycraft, housework and puttering. Plywood, acoustic tile, a tea towel and pantry equipment are some of the materials used. Artists represented include Gerald Ferguson and Kelly Mark.
Mount Saint Vincent University Art Gallery (2004) 36 pp 6 ill. 1-894518-17-9 $8.00 (6 euros)
Blind Stairs
Emily Falvey & Sophia Isajiw
Janice Gurney, Mary Scott and Arlene Stamp have sustained a critical engagement with painting as practice rather than as medium. This openness has fostered an eclecticism and an improvisational approach to already-circulated material. The authors write with the conviction that there is much to be learned from careers that began 20 years ago, when modernist paradigms in painting were much harder to ignore.
Mount Saint Vincent University Art Gallery / Southern Alberta Art Gallery (2003) 98 pp col. ill. 9.5 x 8 in softcover 1-894699-20-3
$20.00 Can./U.S. (14 euros)
Placing Spaces, Spacing Places: Canadian Experimental Films & Video since 1990
Gerda J. Cammaer
Following Changing Times, Time Changing, a look at experimental Canadian film and video up until 1990 (see below), this new publication presents and discusses 28 works produced by both emerging and celebrated artists including Michael Snow and Nelson Henricks. Cammaer discusses formal qualities and the creative use of filmic space against the tremendous social upheaval of the past decade.
Mount Saint Vincent University Art Gallery (2003) 36 pp 17 ill. 8x6 in 1894518160 $15.00 Can./U.S. (11 euros)
Lucie Chan : Something to Carry
Ingrid Jenkner & James R. Shirley
Chan assembles multi-figure ink drawings on bond into composite, booth-like structures suspended from the ceiling. Spatially, her drawing installations evoke the elsewhere of diasporic yearning. Shirley's essay compares Chan's use of drawing with the work of Ed Pien and William Kentridge. With artist's biography and bibliographic references.
Mount Saint Vincent University Art Gallery (2002) 4 pp 4 ill. 10 x 8.5 in. 1894518098 $6.00 Can./U.S.
Lily Markiewicz: Promise II
Dorota Glowacka
Markiewicz, the daughter of Holocaust survivors currently living in London England, creates installations that incorporate photography, video, and sound. Using everyday imagery, she has created a wordless situation in which viewers may experience the sense of displacement and doubt that characterize traumatic memory. In the public discussion involving members of the Halifax survivor community (the transcript of which is included here) Glowacka and Markiewicz clarify the ways in which the work articulates issues around Judeo-European history. In her essay, Glowacka, a literary scholar and also the daughter of Holocaust survivors, elaborates a culturally situated response to the art.
Mount Saint Vincent University Art Gallery (2002) 48 pp 10 col. ill. 6 x 8 in. softcover 1894518136 $20.00 (Can./U.S.)
The Devil's Workshop
Sarah Hollenberg
The Devil's Workshop is Halifax, Nova Scotia, an artistic centre long used to the independent creation and coordination that comes from a certain isolation from cities with greater media attention and private patronage. Here the roles of artist, curator, critic and administrator are shared and rotated as is reflected in this exhibition catalogue produced by and dedicated to graduates of the Nova Scotia College of Art.
Mount Saint Vincent University Art Gallery (2002) 32 pp 9 ill. 5.5x5.5. in softcover 1894518101 $15.00
Changing Times, Time Changes: Canadian Experimental Films & Videos of the 1990s
Gerda Johanna Cammaer
"In experimental work, time is almost tangible; it has substantial value," says filmmaker Gerda Cammaer. Accordingly, her selection highlights works in which time is used to create a physical experience, presented as a theme, or treated as a receptacle in which to collect images. The intimate, personal and self-reflective tone of these films and videos contrasts with the grand discursive scope of 1980s media art. Cammaer provides an essay and synopses of 26 works by 20 artists including Louise Bourque, Nelson Henricks, Mike Hoolboom, Gunilla Josephson and Ho Tam.
Mount Saint Vincent University Art Gallery (2002) 35 pages, 10 ill. 8x7 in. softcover 189451811x $15.00
QC: Queer Commodity
Steven Bruhm & Spencer Ramsay
Designed to look like a glossy periodical while mimicking the very idea, this exhibition catalogue presents the work of Dyke Action Machine (New York City), Michael Hickey (St. John's) and Johannes Zits (Toronto). Two essays explore queer art and culture within and outside of the mainstream. The back cover's graphic cleverly subverts classic advertising with lesbian politics.
Mount Saint Vincent University Art Gallery (2002) 16 pages, 10 col. ill. 10x8 in 1894518071 $10.00
Brenda Pelkey: Haunts
Ingrid Jenkner & Brenda Pelkey
Formerly a documentary photographer, the Saskatoon resident has turned to a subject matter that can only be called psychic landscape. Jenkner delves into the work and identifies two merging contradictions. Like the artist herself the works are open and the views large but at the same time they are rigorously controlled, technically pristine and purposely stylized. Pelkey describes her practice as "centered on subjective experience...informed but not constrained by readings in social psychology and feminist cultural geographies." Her colour plates (with three-page colour fold-outs) are simply entitled "Ocean", "Bush" or "Forest" and present a world that is recognizably Canadian yet decidedly personal.
Mount Saint Vincent University Art Gallery (2002) 36 pages, 7 col. ill. 9x9 in. 189451808x $15.00
Terrence Syverson: Cape Breton Modern
Ingrid Jenkner
The first of two publications dedicated to formerly American-based Cape Breton artists. Syverson invents within a rigorously reductive paradigm. He achieves dimension without illusionism, figure-ground relationships without painting figures on a background, and expressive content without recourse to gestural brushwork or depiction. Moving to New York in 1964, he participated in the 14th Annual Guggenheim International Awards exhibition and like his fellow expatriates Michael Snow and Joyce Wieland, achieved recognition in his homeland by building a career in the United States.
Mount Saint Vincent University Art Gallery (2001) 40 pages 14 col ill. 7x6 in. softcover 1895418047 $15.00
Flagmen of the Apocalypse: New Scuplture by Peter Walker
Ingrid Jenkner
Walker's work exemplifies his fusion of rural handyman with the aesthetics of trained painter and sculptor. In a parody of Modernist machismo, his shipyard scrap and metal scroungings abound with phallic imagery and militant bravado. While noting Walker's outsider status as an artist, Jenkner places him within a variety of artistic traditions.
Art Gallery Mount Saint Vincent University (2001) 36 pp. ill. 1894518012 $12.00
Do Try This at Home
Heather Anderson & Chrystal Clements
The works of nine young artists from Halifax, Montreal, Toronto and Winnipeg are examined within one specific context: the money economy of subsistence level jobs and the field of artistic production where the medium of exchange is the "capital" of reputation and recognition. With reference to Pierre Bourdieu's sociological studies of art communities, separate essays explore the aesthetic preferences of the emerging artists, where their art circulates, and the social conditions under which their production takes place.
Art Gallery Mount Saint Vincent University (2001) 36 pp. ill. 1895418020 $12.00
Rebecca Roberts: Prospect 8
Ingrid Jenkner
The subject of the publication is a composite oil-on-birch panel 8 meters long wherein the artist presents radically cropped views of herself in the nude. Jenkner explores the interplay of photography and painting within the artist's heavily mediated presentation of herself as the subject of her own gaze.
Art Gallery Mount Saint Vincent University (2000) 4 pp. ill. 1895215994 $3.00
Twisted
Ingrid Jenkner
A look a three artists with little in common beyond their interest in spiral structures or vortical motion. Gerald Choy sculpts in stone; Steve Higgins draws; John McNab specializes in turned forms. With an essay and artists' biographies.
Art Gallery Mount Saint Vincent University (2000) 18 pp. 5 col. ill. 9x6 in. 189521596x $12.00
Gerald Ferguson: 1,000,000 Grapes
Ingrid Jenkner
Strongly identified with the Nova Scotia College of Art and Design where he has taught for thirty years, Ferguson has persisted in a practice of painting governed by an invariably reductive ethic. '1,000,000 Grapes' is a parallel publication to the artist's book of the same name produced in 1998 and contains an artist's statement, essay and biography.
Art Gallery Mount Saint Vincent University (1999) 20 p., 2 col ill. (with 1 foldout) 8x7.5 in. 1895215846 $10.00
Skinjobs
Annette Hurtig
Conceived to coincide with a conference of the International Gothic Association, Skinjobs brings together the work of Stephen Andrews, Michelle Gay, Catherine Heard, Teresa Marshall, Regan Morris and Brian Putz. Hurtig stresses that gothic sensibilities have always arisen in conjunction with social upheavals and epidemics. Looking at the works selected, the author proposes that the 'return to the repressed' , so characteristic of gothic expression, has acquired a subversive edge.
Art Gallery Mount Saint Vincent University (1999), 47 p. 7x7 in., 11 col. ill., 1895215927 $15.00
Amanda Schoppel: Corporeal
Ingrid Jenkner
An installation made especially for the gallery wherein the artist explores the artistic potential of looped elastic bands.
Art Gallery Mount Saint Vincent University (1999) foldout, 11x8 in 1895215900 $5.00
Lunch Money
Kim Fullerton & Cheryl Sourkes
The Toronto-based curators bring together "starving" young artists from across the country to demonstrate the role of art as an antidote to the effects of privation. Their art provides escape from austerity, depression and lack of opportunity. Artists include Susie Major, Damien Moffat, John Marriott and Amanda Schoppel.
Art Gallery Mount Saint Vincent University (1999) individual cards in plastic casing, col. ill., 10x8in 1895215897 $12.00
Style Council
Robin Metcalfe, Ingrid Jenkner, Pamela Edmonds & Robert Zingone
Treating "style" as a sign of social identity and a gendered construct, the four essayists discuss works of art distinguished either by their by elegance, distinctiveness or perversity of expression. Participating artists include Buseje Bailey, Rebecca Frisk, Monica Tap and Peter Walker.
Art Gallery Mount Saint Vincent University (1999) 48 p., 11 ill. (9 col.), 1895215862 $15.00
Fixations
Robert Zingone
The juxtaposition of a video by David Askevold ("Don't Eat Crow") with a photo-textual installation by Ellen Moffat ("Line Break") provokes a reflection on the idea of fixation produced through the obsessive use of a set vantage point.
Art Gallery Mount Saint Vincent University (1999) folder, ill., 1895215889 $5.00
Possessed
Gillian Collyer
A presentation of personally representative objects from the private collections of academic and curatorial staff at the university which focuses on collecting as a response to an emotional need.
Art Gallery Mount Saint Vincent University (1999) folder, ill., 1895215870 $5.00
Sarra McNie: Double.
Ingrid Jenkner.
McNie is an emerging Nova Scotia painter whose principle focus is the female nude and feminine subjectiviy.
Art Gallery Mount Saint Vincent University (1998) 4 p., ill., 1895215803 $7.00
Marlene Creates: Language and Land Use, Newfoundland
Ingrid Jenkner
Creates' photo-assemblages are comprised of text, objects, and photographs and make critical links with practices such as journal-keeping, travel photography, and souvenir collecting. Creates was named Newfoundland's 1997 "Artist of the Year".
Art Gallery Mount Saint Vincent University (1998) 80 p., ill., 1895215811 $20.00
Arnaud Maggs: Notification I
Russell Keziere
'Notification I' is a formally mounted series of 96 colour photographs of the envelopes used for the mailing of death notices in 19th century France. The accompanying essay elucidates both the documentary as well as the highly personal nature of this relentless preoccupation with identity.
Art Gallery Mount Saint Vincent University (1998) 28 p., ill., 1895215838 $10.00
Gerald Ferguson: 1,000,000 Grapes
Ingrid Jenkner
Ferguson's newest creation is a painting installation composed of 100 canvases stenciled with 10,000 dot-like motifs each. The artist's stated aim is "to use modularity as a compositional devise and to keep the process and concept visible and readable at a glance."
Art Gallery Mount Saint Vincent University (1998) 28 p., ill., 1895215846 $10.00
1,000,000 Grapes.
Gerald Ferguson:
An artist's book. Art Gallery Mount Saint Vincent University (1997) 200 p., ill., 11x8 in 1895215749 $30.00
Queer Looking, Queer Acting: Lesbian and Gay Vernacular
Robin Metcalfe (ed)
An interweaving of documentation and personal memory transforms this exhibition catalogue dedicated to the history of Halifax's lesbian and gay community into a document unto itself. Four essays outline the significance of political and social events.
Art Gallery Mount Saint Vincent University. (1997) 118 p., 55 ill., 7x7 in 1895215765 $18.00
In Absentia
Tonia Di Risio
A brief survey of feminist approaches to autobiography in visual art. Artists studied include Jan Peacock, Andrea Ward, Linda Bartlett, Rosalie Favell, and Elsi Caetano Faria.
Art Gallery Mount Saint Vincent University. (1997) 6 p., ill., 1895215781 $6.00
Chris Woods: Animal Magnetism.
Ingrid Jenkner.
A solo installation exhibition reflecting the artist's interest in drawing and experimental video.
Art Gallery Mount Saint Vincent University. (1997) 4 p., ill., 9x9 in 189521579X $7.00
Pamela Ritchie: Imaginary Places.
Ingrid Jenkner, Tonia Di Risio & Paul McClure.
By presenting the work of the distinguished jeweler and metalsmith in a gallery, both curator and artist evoke something new about the objects and the setting.
Art Gallery Mount Saint Vincent University. (1997) 24 p., ill., 8x7 in 1895215773 $13.00
Mike MacDonald: Digital Garden.
Robin Metcalfe.
Art Gallery Mount Saint Vincent University. (1997) 6 colour multiples., 6x9 in 1895215722 $12.00
Now Appearing: The Mount Saint Vincent University Collection
Ingrid Jenkner (et al).
Art Gallery Mount Saint Vincent University (1996) 58 p., ill., 9x5.5 in 1895215641 $15.50
Contingent: Small Sculpture by Martha Townsend Eva Hesse, 1966-1968 / Recent Works by Elspeth Pratt 1992-1995.
Ingrid Jenkner.
Art Gallery Mount Saint Vincent University (1996). 30 p., ill., 10x8 in 1895215552 $9.50
Claire Paquet & Suzanne Paquet : Comme les jours précédents, Les géographies du transitoire.
Ingrid Jenkner
Art Gallery Mount Saint Vincent University. (1996). 48 p., ill., 8x8 in (English/Français) $12.00
Meta Textiles: Sewing the Second Skin
Gary Markle.
Art Gallery Mount Saint Vincent University. (1996) 24 p., ill., 8x7 in 1895215579 $6.00
Terra Firma: Five Immigrant Artists in Nova Scotia.
Silver D. Cameron (et al).
Art Gallery Mount Saint Vincent University. (1993) 24 p., ill., 11.5x9 in 1895215501 $15.00
Luke A. Murphy, Ronald Waakary : Paintings.
Andrew T. Hunter.
Art Gallery Mount Saint Vincent University. (1992) 42 p., ill., 11x8 in 1895215382 $10.00
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